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                        <loc>https://ahrapport.com</loc>
            
            
            <lastmod>2026-04-02T13:11:20+00:00</lastmod>
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			&lt;span class=&quot;context-toggle&quot;&gt;Read &lt;span&gt;more...&lt;/span&gt;&lt;/span&gt;
			&lt;span class=&quot;full-context&quot;&gt;&lt;i&gt;Going Dark: The Contemporary Figure at the Edge of Visibility&lt;/i&gt; was an exhibition at the Guggenheim Museum by twenty-eight artists of Color whose works explore the idea of (in)visibility in society. I worked as an independent contractor with the Museum’s graphic design team to develop the identity. Inspired by the sky before sunrise and after sunset, we chose a royal blue as our primary color. In motion, black frames envelop the canvas to reveal graphics in the inverse. &lt;br /&gt;&lt;br /&gt;
Project team: Jiminie Ha, Janice Lee, Milo Bonacci, LaSean Marie Patton, Fahad Al Hunaif&lt;/span&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/U2149452255585818890357150860331/“Going Dark: The Contemporary Figure at the Edge of Visibility” at the Guggenheim</image:loc>
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		&lt;span class=&quot;context-toggle&quot;&gt;Read &lt;span&gt;more...&lt;/span&gt;&lt;/span&gt;
		&lt;span class=&quot;full-context&quot;&gt;
			The LG×Guggenheim Art and Technology Initiative visual identity is based on a grid, inspired by the LG and Guggenheim logos as well as elements of the iconic Frank Lloyd Wright building at 1071 Fifth Avenue. A modular system allows for text to be placed at any of the matrix’s nine points. Motion is driven by “on-and-off” patterns, in an allusion to the behaviors of technology. &lt;br /&gt;&lt;br /&gt;
Project team: Jiminie Ha, Janice Lee, Han Gao, Milo Bonacci, LaSean Marie Patton
		&lt;/span&gt;
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			&lt;span class=&quot;context-toggle&quot;&gt;Read &lt;span&gt;more...&lt;/span&gt;&lt;/span&gt;
			&lt;span class=&quot;full-context&quot;&gt;The LG×Guggenheim visual identity is based on a grid system, inspired by the LG and Guggenheim logos as well as elements of the iconic Frank Lloyd Wright building at 1071 Fifth Avenue. A modular system allows for text to be placed at any of the matrix’s nine points. Motion is driven by “on-and-off” patterns, in an allusion to the behaviors of technology. &lt;br /&gt;&lt;br /&gt;
Project team: Jiminie Ha, Janice Lee, Han Gao, Milo Bonacci, LaSean Marie Patton.&lt;/span&gt;
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                                            <image:caption>© 2024 Amant. Identity: Linked by Air.</image:caption>
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                                            <image:caption>© 2023 Wolfhouse. Artwork: Abbott Lee Stillman.</image:caption>
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			&lt;span class=&quot;context-toggle&quot;&gt;Read &lt;span&gt;more...&lt;/span&gt;&lt;/span&gt;
			&lt;span class=&quot;full-context&quot;&gt;The identity for Studio Landlord embraces the utilitarian aesthetic of Arial, a font synonymous with landlord and lessee documentation. The visual direction is sparse and bold, evoking the straightforward nature of official paperwork, while fostering a modern, minimalist appeal. Text is accented with highlights in vibrant colors, referencing the annotations and emphasis often seen in written communications.&lt;/span&gt;
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			&lt;span class=&quot;context-toggle&quot;&gt;Read &lt;span&gt;more...&lt;/span&gt;&lt;/span&gt;
			&lt;span class=&quot;full-context&quot;&gt;The identity for Studio Landlord embraces the utilitarian aesthetic of Arial, a font synonymous with landlord and lessee documents. The visual direction is sparse and bold, evoking the straightforward nature of official paperwork, while fostering a modern, minimalist appeal. Text is accented with highlights in vibrant colors, referencing the annotations and emphasis often seen in written communications.&lt;/span&gt;
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